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- CATEGORIES
- CAMERAS
- CAMERA MOUNT TYPE
- RF
- SENSOR TYPE
- FULL FRAME
- Brand
- CANON
- Canon C400 6k Full Frame Camera Body
- 1xCage
- 1xTop Handle
- 1xMic holder
- 1xOn board monitor
- 1xSide handle
- 1xBPA30 Battery
- 1xBPA60 Battery
- 1xBPA60N Battery
- 1xType-B Card Reader
- 2xCf express Type B 512GB Memory Cards
- 1xDtap XLR
- 1xBattery Charger
- 1xC-C cable
- 6K FF Back-Illuminated CMOS Sensor
- Full Frame, Super35 & Super16 Modes
- 6K60, DCI 4K/2K, UHD 4K120
- Triple-Base ISO: 800, 3200, 12,800
- PL Mount Adapter Available Separately
- Improved Dual-Pixel CMOS AF II
- Record Internal XF-HEVC S, XF-AVC S
- Record Internal Cinema RAW Light, XF-AVC
- Timecode, Genlock & Return Video Ports
- Compact Form, Ethernet & Wi-Fi Control
Creators looking to capture a rich cine look while accessing versatile imaging tools can now turn to Canon's RF-mount EOS C400 6K Full-Frame Digital Cinema Camera. Based around a new 6K full-frame, back-illuminated CMOS sensor, the C400 features three ISO bases of 800, 3200, and 12,800, covering a truly wide range of light levels. This digital cinema camera blends high-resolution imagery with both cine-style and broadcast features like an optional Cooke/i PL mount, return video, and both Super35 and Super16 modes with solo shooter-friendly functions such as Dual-Pixel CMOS AF II, internal ND filters, and a compact, lightweight form.
6K Full-Frame Sensor
Canon has placed its new 6K CMOS sensor at the heart of the C400 camera, enabling it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. This is all made possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.
Triple-Base ISOs
The same 6K CMOS sensor also provides the choice of a trio of ISO speeds: 800, 3200, and 12,800, so you can capture both the brilliance of settings like Times Square or a full-sun landscape and the nuances of available light scenes like an interior location or a nighttime city skyline.
Multiple Recording Formats
- Different projects demand specific recording formats, and the C400 has you covered with up to 6K60 Cinema RAW and HQ, ST, and LT Cinema RAW Light 12-bit modes. Oversampled 4K with amazing detail is available in 10-bit 4:2:2 with frame rates up to 120p, all without cropping the image on the sensor. Slow- and fast-motion can be captured at rates up to UHD 4K120 and 2K180.
- Canon has made your editing process easier with two new codecs: XF-AVC S and XF-HEVC S, both featuring an easier naming system and folder structure and metadata preservation, all within the established MP4 format.
Optional PL-Mount Adapter
Widen your lens choices to include a range of beautiful pro cinema "glass" using the separately available PL-RF adapter for the C400. This adapter includes side lock plates for a secure fit and transfers Cooke/i metadata for VF/X and other post-production uses.
Dual Media Slots
Fans of proxy recordings will appreciate the CFexpress Type-B and SD card slots on the C400, which enable sub-recording and proxy capture using the SD card slot while simultaneously recording up to raw using a CFexpress card.
Mechanical ND Filters
Whether you're shooting a cine-style feature or grabbing run-and-gun footage for a documentary or event coverage, you'll appreciate the ability to quickly dial in up to 10 stops of ND filtration with the C400. This near-instant exposure adjustment enables you to maintain your chosen depth of field since it negates the need to stop down on your lens.
Compact, Lightweight Body
Canon's RF lens mount features a short flange back, reducing its lens mount area and overall size, which makes it the ideal camera for gimbal, handheld, or drone capture.
Improved Autofocus Function
For those moments or whole shoots where you're not assisted by a focus puller, the C400 offers Canon's dual-pixel autofocus function, which has been improved by the wider area of the back-illuminated CMOS sensor, which is available for autofocus. Intelligent tracking lets you follow the eyes, face, head, and body areas of a subject with increased accuracy. For nature documentary shooters, the C400 provides the ability to detect the eyes, face, or body of select animals without being affected by their size or facial orientation.
Production and Broadcast Features
- The versatile C400 incorporates a variety of interfaces that make it suitable for both film- and broadcast-style productions. These ports include 12G-SDI, 3G-SDI, and HDMI video outputs, dual mini-XLR audio inputs, timecode, genlock, and return video DIN connectors, and a 12-pin lens port.
- An automatic clear-scan mode for the shutter detects your light source's frequency, helping to reduce or eliminate the flickering sometimes found in LED walls.
LCD, Handle, and Grip
Ergonomic improvements featured by the C400 include a new touchscreen LCD, grip, and battery. The LCD mount has both angle and length adjustments for optimal positioning of the LCD whether you're shooting handheld, shoulder-mounted, or on a tripod. The ergonomic, articulated handgrip features a multifunction shoe, three assignable buttons, and captive screws that won't get lost when you're mounting or detaching the grip.
Ethernet/Wi-Fi Control and IP Streaming
Use the C400's Ethernet port and Canon's IP-based XC protocol to add RC-IP1000, RC-IP100, or third-party remote-control shading to your broadcast-style shoot. The Canon RCCA (Remote Control Camera Application) is compatible with the C400, enabling control of camera settings and multicamera control. The C400 also offers IP streaming using the SRT protocol.
Imaging
| Lens Mount | Canon RF |
|---|---|
| Lens Communication | Yes: Cooke /i |
| Image Sensor | Full-Frame BSI Stacked CMOS |
| Effective Sensor Resolution | Effective: 19.05 Megapixel (6008 x 3170) Actual: 26.67 Megapixel (6202 x 4300) |
| Image Stabilization | Digital, 5-Axis |
| Built-In ND Filter | Mechanical Filter Wheel with 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64), 8-Stop (1/256), 10-Stop (1/1024) ND Filters |
| Capture Type | Stills & Video |
Exposure Control
| Shutter Type | Electronic Rolling Shutter |
|---|---|
| Shutter Speed | 1/2000 to 1 Second |
| Shutter Angle | 11.25 to 360° |
| ISO/Gain Sensitivity | Native: 100 to 102,400 |
| Advertised Dynamic Range | 16 Stops |
| White Balance | Range: 2000 to 15,000K Presets: AWB, Daylight, Set A, Set B, Tungsten |
Focus
| Focus Mode | Continuous-Servo AF, Manual Focus, One-Shot AF |
|---|
Video Capture
| Internal Recording | Cinema RAW Light 12-Bit 6000 x 3164 up to 60.00 fps (552 to 2130 Mb/s) 4368 x 2304 up to 100 fps (916 to 2130 Mb/s) 4096 x 2160 up to 120 fps (258 to 993 Mb/s) 2184 x 1152 up to 180 fps (74 to 574 Mb/s) XF-AVC Intra 4:2:2 10-Bit 4096 x 2160 up to 120 fps (240 to 1200 Mb/s) 3840 x 2160 up to 120 fps (240 to 1200 Mb/s) 2048 x 2160 up to 180 fps (120 to 300 Mb/s) 1920 x 1080 up to 180 fps (120 to 300 Mb/s) XF-AVC Long GOP 4:2:2 10-Bit 4096 x 2160 up to 120 fps (150 to 250 Mb/s) 3840 x 2160 up to 120 fps (150 to 250 Mb/s) 2048 x 1080 up to 180 fps (25 to 50 Mb/s) 1920 x 1080 up to 180 fps (25 to 50 Mb/s) XF-AVC S Intra 4:2:2 10-Bit 4096 x 2160 up to 120 fps (240 to 1200 Mb/s) 3840 x 2160 up to 120 fps (240 to 1200 Mb/s) 2048 x 1080 up to 180 fps (120 to 300 Mb/s) 1920 x 1080 up to 180 fps (120 to 300 Mb/s) XF-AVC S Long GOP 4:2:2 10-Bit 4096 x 2160 up to 120 fps (130 to 250 Mb/s) 3840 x 2160 up to 120 fps (130 to 250 Mb/s) 2048 x 1080 up to 180 fps (50 Mb/s) 1920 x 1080 up to 180 fps (50 Mb/s) XF-AVC S Long GOP 4:2:0 8-Bit 4096 x 2160 up to 180 fps (100 to 150 Mb/s) 3840 x 2160 up to 180 fps (100 to 150 Mb/s) 2048 x 1080 up to 180 fps (35 Mb/s) 1920 x 1080 up to 180 fps (35 Mb/s) XF-HEVC S Long GOP 4:2:2/4:2:0 10-Bit 4096 x 2160 up to 120 fps (100 to 225 Mb/s) 3840 x 2160 up to 120 fps (100 to 225 Mb/s) 2048 x 1080 up to 180 fps (35 to 50 Mb/s) 1920 x 1080 up to 180 fps (35 to 50 Mb/s) *Sensor Crops During Recording |
|---|---|
| Video Output | 4096 x 2160 |
| Fast-/Slow-Motion Support | Yes |
| Gamma Curve | Canon Log 2, Canon Log 3 |
| Audio Recording | Cinema RAW Light: 4-Channel, 24-Bit at 48 kHz via LPCM Audio XF-AVC: 4-Channel, 24-Bit at 48 kHz via LPCM Audio XF-AVC S, XF-HEVC S: 4-Channel, 24-Bit at 48 kHz via LPCM Audio XF-AVC S, XF-HEVC S: 2-Channel, 16-Bit at 48 kHz via AAC Audio |
| IP Streaming | RTP, RTSP, SRT, UDP 1920 x 1080 at 50i, 50p, 59.94i, 59.94p (4.0 to 9.0 Mb/s) |
Interface
| Media/Memory Card Slot | Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC |
|---|---|
| Internal Storage | No |
| Video I/O | 1x BNC (12G-SDI) Output 1x BNC (3G-SDI) Monitor Output 1x HDMI Output |
| Audio I/O | 2x Mini XLR Input 1x 1/8" / 3.5 mm TRS Stereo Microphone Input on Camera Body 1x 1/8" / 3.5 mm TRS Stereo Headphone Output |
| Power I/O | 1x XLR 4-Pin (12VDC) Input |
| Other I/O | 1x USB-C Monitor 1x DIN 1.0/2.3 (Genlock, Return, Sync) 1x DIN 1.0/2.3 (Timecode) 1x RJ45 (XC) Control 1x Hirose 12-Pin (Lens Control) |
| Wireless | Wi-Fi 5 (802.11ac) |
| Mobile App Compatible | Yes: iOS Only App Name: Canon Multi-Camera Control App Functionality: Adjust Settings, Remote Control, View Live Feed |
| Global Positioning (GPS, GLONASS, etc.) | No |
Monitor
| Display Type | Primary Monitor: Included External 3.5" Touchscreen LCD |
|---|
Power
| Battery | Canon BP-AN Series |
|---|---|
| Power Consumption | ≤32.5 W |
General
| Shoe Mount | 1x Intelligent Hot Shoe 1x Intelligent Hot Shoe on Included Handle |
|---|---|
| Accessory Mounting Thread | 1x ARRI/Hirth Rosette |
| Netflix Approved | Yes |
| Dimensions (W x H x D) | 5.6 x 5.3 x 5.3" / 142 x 135 x 135 mm 14.2 x 10.8 x 14.3" / 361 x 274 x 363 mm (With Grip, Handle, Mic Holder, Monitor Attachment) |
| Weight | 3.4 lb / 1.5 kg (Body Only) |




